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L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione

Papibois

2:13	Est. Play Time
75	Measures
	1,156Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
Tenore 1		13	0	2	4	92%
Ténore 2		15	0	4	4	92%
Soprano 1		16	0	6	4	87%
Basso		10	1	0	4	87%
Soprano 2		13	0	5	4	87%
Gianetta		9	0	0	4	55%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione - BASSE

Papibois

2:13	Est. Play Time
75	Measures
	1,171Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
Tenor 1		13	0	2	4	92%
Tenor 2		15	0	4	4	92%
Soprano 1		16	0	6	4	87%
Basse		10	1	2	4	87%
Soprano 2		13	0	4	4	87%
Gianetta		9	0	0	4	55%

N°5. Giovinette, che fate all amore. Don Giovanni - Piano

FranckM.

1:47	Est. Play Time
87	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	46	4	6	100%
		17	14	1	6	99%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	46	4	6	100%
		17	14	1	6	99%
Masetto		9	0	1	4	36%
Zerlina		9	0	1	3	34%
Chorus Sop. amp;amp; Alto		12	3	1	5	25%
Chorus. TENOR amp;amp; BASS.		8	0	0	5	23%

HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)

edward.maurath

2:58	Est. Play Time
77	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		19	24	6	8	97%
		22	28	5	6	100%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		19	24	6	8	97%
		22	28	5	6	100%
Violoncello (Continuo)		19	0	3	6	100%
Alto as Dorinda		15	0	4	8	78%
Contrabasses		8	0	0	3	8%
Viola		10	0	0	3	8%
Violins I		11	0	0	5	8%
Violins II		10	0	0	3	8%
Violoncellos		8	0	0	3	8%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione - TENOR 2

Papibois

2:13	Est. Play Time
75	Measures
	1,163Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
Tenor 1		13	0	2	4	92%
Tenor 2		15	0	4	4	92%
Soprano 1		16	0	6	4	87%
Basso		10	1	0	4	87%
Soprano 2		13	0	4	4	87%
Gianetta		9	0	0	4	55%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione - SOPRANO 2

Papibois

2:13	Est. Play Time
75	Measures
	1,160Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
Tenore 1		13	0	2	4	92%
Ténore 2		15	0	4	4	92%
Soprano 1		16	0	6	4	87%
Basso		10	1	0	4	87%
Soprano 2		13	0	4	4	87%
Gianetta		9	0	0	4	55%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione - TENOR 1

Papibois

2:13	Est. Play Time
75	Measures
	1,162Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
Tenor 1		13	0	2	4	92%
Ténore 2		15	0	4	4	92%
Soprano 1		16	0	6	4	87%
Basso		10	1	0	4	87%
Soprano 2		13	0	4	4	87%
Gianetta		9	0	0	4	55%

HWV58A1N15 - Ino: Turn, hopeless lover, turn thy eyes

edward.maurath

6:34	Est. Play Time
132	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		27	78	8	7	93%
		28	18	9	7	95%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		27	78	8	7	93%
		28	18	9	7	95%
Organ Continuo		27	78	8	7	93%
		28	18	9	7	95%
Violoncello Continuo		26	0	8	7	95%
Alto as Ino		13	0	4	7	67%
Double Bass Continuo		17	0	3	5	16%
Solo Violoncello		15	0	3	7	11%
Violins		9	0	0	5	7%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione-SOPRANO 1

Papibois

2:13	Est. Play Time
75	Measures
	1,158Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	64	8	5	100%
		21	21	1	3	100%
Tenore 1		13	0	2	4	92%
Ténore 2		15	0	4	4	92%
Soprano 1		16	0	6	4	87%
Basso		10	1	0	4	87%
Soprano 2		13	0	5	4	87%
Gianetta		9	0	0	4	55%

Carmen

d-klenin

1:57	Est. Play Time
120	Measures
	5,055Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins II		32	2	12	6	98%
Violins I		32	4	11	6	98%
View all 15 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins II		32	2	12	6	98%
Violins I		32	4	11	6	98%
Violoncellos		27	0	10	6	98%
Violas		28	6	10	6	98%
Trumpets in A		21	43	8	4	89%
Clarinets in A		26	40	12	6	83%
Flute		21	0	8	6	83%
Bassoons		31	25	12	6	82%
Oboes		23	16	8	6	80%
Contrebasses		21	1	8	3	73%
Piccolo		23	0	8	5	68%
Trombones		26	60	10	5	60%
Horn in A		9	10	2	4	59%
Horn in E		11	10	3	5	55%
Timpani		2	0	0	4	35%

Incede Incede

Zwink, Tyler

5:12	Est. Play Time
105	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	5	0	4	85%
		17	0	0	3	88%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	5	0	4	85%
		17	0	0	3	88%
Tenor		12	0	0	6	44%
		12	0	0	6	43%
Alto Saxophone		15	0	0	9	24%

HWV26A2 - Non t'inganni la speranza che la ferma tua costanza - in F Major

edward.maurath

2:40	Est. Play Time
134	Measures
	1,102Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo		17	17	2	4	94%
		19	20	3	4	100%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo		17	17	2	4	94%
		19	20	3	4	100%
Double Bass Continuo		16	0	2	4	94%
Violin 1		20	0	2	5	94%
Violincello Continuo		17	0	2	4	94%
Viola		17	0	2	5	93%
Violin 2		18	0	3	5	93%
Bassoon Continuo		17	0	2	4	89%
Bass as Clodomiro		16	0	3	5	65%
Oboe		12	0	0	5	29%

Boris Godunov Act IV Scene II

d-klenin

2:32	Est. Play Time
76	Measures
	1,661Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F		24	28	6	7	70%
		19	29	7	6	74%
View all 20 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in F		24	28	6	7	70%
		19	29	7	6	74%
Violinen		23	4	8	8	67%
		28	1	11	7	67%
Violas		24	17	10	7	64%
Violoncellos		22	5	8	8	62%
B Klarinette		27	24	9	6	61%
		25	4	10	4	58%
C Tuba		20	16	9	5	60%
Fagott		29	25	12	6	60%
Kontrabasse		18	0	6	8	58%
Bass		19	12	6	7	57%
Oboe		22	13	9	7	52%
Posaune		16	19	5	5	49%
Tenor		17	11	6	5	49%
Trompete in F		13	1	5	5	47%
B Trompete		19	18	8	5	46%
Flöte		17	0	7	4	42%
		15	7	8	5	34%
Pauke		3	0	0	5	33%

Introduccion_y_gran_aire_Marcial_de_la_Opera_de_las_Treguas

rufinb

5:26	Est. Play Time
139	Measures
	3,021Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos		16	0	4	7	98%
Violas		23	18	7	7	98%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos		16	0	4	7	98%
Violas		23	18	7	7	98%
Contrabasses		16	0	4	8	97%
Violins I		32	9	12	9	97%
Violins II		28	28	10	8	97%
Bassoons		24	0	7	9	95%
Horns in E♭		14	0	4	9	92%
Clarinets in B♭		20	0	6	9	86%
Trumpets in E♭		18	0	6	8	84%
Ophicleide or Tuba		15	0	4	7	82%
Oboes		21	0	6	9	78%
Flutes		16	0	5	9	70%
E♭ Trumpet 2		10	0	0	5	13%
Horn in E♭2		8	0	1	6	9%

"Caro! Bella! Più amabile belta" from "Giulio Cesare," HWV 17, (1724)

edward.maurath

8:58	Est. Play Time
62	Measures
	1,053Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		19	28	4	6	97%
		21	31	5	7	97%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo		19	28	4	6	97%
		21	31	5	7	97%
Violoncello Continuo		19	0	3	7	97%
Cleopatra		15	0	3	7	80%
Cesare		13	0	4	7	74%
Violini 1		21	0	2	6	63%
Oboe 1		21	0	2	5	59%
Violini 2		20	0	1	6	57%
Oboe 2		20	0	1	5	53%
Violoncelli Contnuo		15	0	1	6	48%
Contrabassi Continuo		15	0	1	6	46%
Fagotto Continuo		13	0	0	5	38%

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